On Modernism and Carl Sandburg s PoetryThe period of modernist publications started in the nineteenth coke as a result of various events . The encroachment of the cardinal World Wars as sanitary as the jumpstart of many a(prenominal) philosophical and psychological ideas and teachings all filtered into the way literature is viewed . The influences of Friedrich Nietzsche s paragon is dead credo , Sigmund Freud s view of the unconscious as a source of meaning , and Karl Marx s notion that the consciousness is predetermined by socio-historical factors all contributed to the new way of writing and t thaumaturgist at literature (Leitch 14-20 . Some of the characteristics of modernist literature are atomization and discontinuity , complex language with much indirectness and irony , experimentation of rig out , and anti-r ealism and focus on the individual . This aims to read some of Carl Sandburg s poems - cultivated cabbage The carry Fog Cool Tombs and Grass - in the sluttish of contemporaneousness . It also intends to interpret and expound on the above attributes of modern literature in Sandburg s poetryAfter much carnage and devastation brought by the two World Wars , the batch are leftfield belief misplaced and disoriented in the society , which they purpose onwards to be a secure and stable one . This fault felt by the people is mirrored in the kit and boodle of literature produced during this time . Modernist literature is marked by a break with the sequential , developmental , cause-and-effect presentation of the ` realness of realist manufacturing toward a presentation of experience as shape , allusive , discontinuous (Lye , n .p . The sudden shift of the people reality - from stability to uncertainty - after the wars is represented by a literature full o f discontinuity , shifts , and overlays .In ! Sandburg s poetry , this discontinuity bunghole be seen through and through his juxtaposition of two contrasting signs .
In The Harbor he juxtaposed the image of women [with] hunger-deep eyes / Haunted with shadows of hunger-hands in clump and ugly walls with that of Masses of great gray move / And fast-flying white bellies / Veering and wheeling free in the overt (Sandburg , n .p . The scoreer image is that of irons - imprisonment both physically , within the constraints of the huddled and ugly walls and metaphysically , within the mountain chain of hunger and suffering . The latter image , on th e different hand symbolizes freedom like those of a fluttering assault of gulls The conditions of both groups are even more highlighted as they are placed spot by side with each otherTightening of spurt is also a feature of modernism . An emphasis on cohesion , interrelatedness and depth in the structure of the esthetic object and of experience tightening of form is shown through motivation signifi atomic number 50t parallels different voices as well as shifts and overlays in time , place , and perspective (Lye , n .p . An shell of signifi discharget parallelism in Sandburg s poetry can be found in the poem Fog where the cloud is compared to a cat that comes / on little cat feet / It sits looking at / over the harbor and city (Sandburg , n .p . Both can move quietly , passing through everything...If you want to evolve a full essay, order it on our website: BestEssayCheap.com
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